Software Cinema: Image Restoration, Repair & Enhancement with Katrin Eismann
English | Apple (c) QuickTime (r) | .mov | project files | 2.28 GB
Genre: Video Training

MAXON announced the immediate availability of CINEMA 4D Release 13, the next generation of its industry- leading 3D motion graphics,visual effects, painting, and rendering software application. With all new character tools, integrated stereographic capabilities, stream-lined multi-artist collaboration and physical rendering, CINEMA 4D Release 13 builds on the companyв€™s 25-year legacy of enabling digital content creators around the world to produce highly engaging content quickly and easily for a variety of industries.

Cinema 4D Insider Secrets Volume II: Cloth
English | Manufacturer : Vital. Disclosure | ISO | 2.01GB
Genre: Elearning

*Includes exercise files!
CINEMA 4D and After Effects Integration was created and produced by Trish and Chris Meyer. We are honored to host their material in the lynda.com Online Training Library.

This addition to Intellect's Directory of World Cinema series turns the spotlight on Australia and New Zealand and offers an in-depth and exciting look at the cinema produced in these two countries since the turn of the twentieth century. Though the two nations share considerable cultural and economic connections, their film industries remain distinct, marked by differences of scale, level of government involvement and funding, and relations with other countries and national cinemas. Through essays about prominent genres and themes, profiles of directors, and comprehensive reviews of significant titles, this user-friendly guide explores the diversity and distinctiveness of films from Australia and New Zealand from Whale Rider to The Piano to Wolf Creek.

 

In this series of lessons we’ll learn to use CINEMA 4D's unique modeling workflow to create organic polygon models. We'll start out by talking about what polygons are and what the advantages and disadvantages are of using them. Then, using a dinosaur as an example, we'll use CINEMA 4D's procedural, hierarchy-based workflow in combination with traditional polygon techniques to build an organic model from scratch. We'll cover polygon tools that will allow you to extrude, cut, or subdivide your geometry as well as generators that will allow you to work symmetrically and to see a smoothed version of your model as you work. In the end you'll have a great idea of the power and flexibility CINEMA 4D offers when building polygonal models.

 

Home Cinema Choice is the UK's best-selling home cinema enthusiasts magazine. Every issue features news and reviews of the latest home cinema equipment, from amplifiers, receivers, processors and power amps, to DVD recorders, speakers, projectors and flat panel TVs.

This Tutorial will show you how to create a Cube Ocean using Cinema 4D’s MoGraph module with some Deformers.

In the movie production series, we're gonna teach you everything we did for one setup (audio, lighting, acting) and then move on to the next location. Hopefully at the end of this experience, you will feel like you've spent the week with us on the set, learning everything that we did, step by step.
By the end of the entire series, you'll probably learn just about everything that you will need to go ahead and get on the set and take charge of your creative team, your actors, your equipment, your gear, your camera, your lights, and fullfill the ideas that you had for your movie when you were just writing your script.

Explosive images of sex and violence characterize what has come to be known as the 'new extremism' in contemporary European cinema. Films by directors such as Catherine Breillat, Gaspar Noe, Michael Haneke and Lars von Trier seek to shock and provoke the spectator into powerful, visceral responses. Reports of fainting, vomiting and mass walk-outs indicate their ability to create such an effect.
This collection of essays, which includes James Quandt's influential article of the new extremism, demonstrates the necessity of these films and their controversies when considering contemporary spectatorship. The collection also includes important new work from internationally renowned scholars Martin Barker and Martine Beugnet.