A practical, inspirational guide that speaks to the artistry of digital video color correction, featuring insight and lessons from some of the best color correction artists in the postproduction business
"Another great offering from Steve Hullfish. There are so many texts out there covering so many different aspects of post-production. Yet the final, all-important step of color correction and finishing has been a true tradecraft. The only way you learned was by sitting at the feet of a master. Steve has demystified much of that and given both beginners and professionals a fantastic resource.
Reading through this text is like sitting at the feet of the masters listening to wisdom. Randy Starnes, Mike Most, Greg Creaser. these are the guys I call when I'm confused about concepts or need clarification, and this is my business! Greg makes a wicked barbecue as well."

Every photographer has looked at a photo and been disappointed that it didn’t convey the original scene. This course reveals how to use Adobe Photoshop to enhance the color, contrast, and sharpness of a photograph. Using tools from adjustment layers to filters, discover how to nondestructively transform your photos. The course also covers how to work with raw images and perform special-case adjustments such as color matching and tinting

Photoshop Tone, Exposure and Color Correction with Katrin Eismann
English | NTSC 720x480 29,9 fps 4:3 4.00Mbps | ac3 48kHz ch2 256 Kbps | 4.18 GB
Genre: Video Training

The digital age of art has made it easier than ever for an artist to change what his work will look like when complete. Subtle changes in color composition can be made many times to achieve an ideal image. However, masterful color management is about more than knowing how to use the tools offered by your image editor. It's about understanding how to visualize your final image before you begin editing it - seeing your image as you want others to see it.

Taught by Vancouver-based colorist Lorne Miess, Digital Colour Theory introduces you to the fundamentals of light and colour when applied to film and television industries. Understanding how to make your images look as photorealistic as possible is the premise for this course. Standard theories of additive and subtractive colour models will be discussed with examples from various media and software packages such as Final Cut Pro and Photoshop.

In this course, author Ashley Kennedy illustrates how to correct color imbalances or create a specific mood in pre-edited video with the complete color correction workflow in Avid Media Composer.

This book was in good shape and is a great guide to photo storage and archiving. Anyone who is archiving their film collection should read this.