Video2brain - Einsteigen in Flash CS6 with Michael Ruttger
German | Audio: aac, 44100 Hz, mono (und)
MP4 | Video: h264, yuv420p, 1280x720, 15.00 fps(r) (und) | 608 MB
Genre: Video Training
Lernen Sie ein gro?artiges Animationswerkzeug von Grund auf kennen und erstellen Sie bald eigene Animationen! Mit diesem Video-Training wird der Einstieg in Flash CS6 fur Sie leicht gemacht. Mit liebevoll ausgewahlten Beispielen lernen Sie die wichtigsten Werkzeuge und Funktionen kennenlernen und sehen, wie Sie eine Flash-Animation in Ihrer Website einbinden.
Total Training Adobe After Effects CS6 Introduction And New Features-PRODEV | 265MB
Language: English | Genre: eLearning
Get an overview of the power of After Effects CS6, the industry-standard video-compositing, motion-graphics-design and animation tool from After Effects giant Brian Maffitt. Review the After Effects workflow and see how it integrates with the Creative Suite, how it can be used in television and film to create special effects, how to composite scenes with blue/green screen keying, and complete creative tasks like drawing, 3D, and titles.
Fxphd - KAT101: Introduction to KATANA with Matt Leonard
English | Audio: aac, 44100 Hz, mono (eng)
MP4 | Video: h264, yuv420p, 1440x900, 23.98 fps(r) (eng) | 6.00 GB
Genre: Video Training
In our ‘Introduction to KATANA’ course we cover all the main areas of KATANA for both Look Development and Lighting. Using Arnold as our main renderer, we start the course with a good overview of KATANA before jumping into a mini project in week two. From there we systematically cover all the main areas of KATANA from asset management to shader building and assignment, lighting, rendering and everything in between.
After Effects Extended Vignette Techniques
After Effects: Extended Vignette Techniques was created and produced by Trish and Chris Meyer. We are honored to host their material in the lynda.com Online Training Library®.
Vignetting is a classic photography technique involving darkening areas of an image in order to focus the viewer’s attention on a desired point of interest. In After Effects: Extended Vignette Techniques, Chris Meyer shows how vignettes can also be leveraged in video. Multiple applications are demonstrated, including framing a subject better, fixing a poorly composed shot, giving a vintage feel, creating “quiet areas” to overlay text and other graphics, and blending an image over a new background. Vignettes can be created using masking, shape layers, and gradients. This course also includes advanced techniques unique to After Effects, using the CC Circle effect and 3D lights, and employing motion stabilization to center the desired action within the vignette. Exercise files accompany the course.
202.65 MB | Project Files: Included | Software used: Turbulence FD , Magic bullet colorista , After Effects CS5 + , Cinema 4D 12 +
cinema 4d tutorials is proud to bring you .this wonderful tutorial nuclear explosion, It´s a effect used quite frequently in the movies and Tv shows like
Indiana jones ,the dark knight rises ,Terminator 4,District 9 akira and its use is not limited to movies, can be used for doomsday documentaries or tv shows about prophecies of the Apocalypse .The pyroclastic flow this effect can also be used in volcano eruptions. in cinema 4d tutorials We are very well trained to teach you the magic of visual effects thanks to maxon cinema 4d
Lynda.com Mixing A Short Film With Logic Pro TUTORiAL-ALTAiR | ISO | 2.24 GB
In this course, explore a powerful round-trip workflow between Logic Pro and Final Cut Pro that helps sound editors to quickly mix dialogue, sound effects, and music for film. Author Scott Hirsch frames the lessons in a way that appeals to filmmakers of all levels, as well as professional and amateur audio mixers. He starts with exporting your tracks from Final Cut Pro and taking advantage of the film and video templates in Logic Pro, which makes project setup a snap. Then discover how to consolidate and edit dialog, fix noise problems and background hum, and add special effects. Finally, explore how to use automation and EQ to enhance and match your final tracks to the picture.
Program: After Effects, Maya | Difficulty: Advanced | Estimated Completion Time: 1h | Updated: June 19, 2012 | 812 MB
This tutorial will cover the process of creating a lava texture from fractal noise, utilizing luma mattes to give it depth. Using Trapcode Particular we will create blazing embers in 3D space and heat haze. In Maya we will use simple geometry to create gaps in the ground for the lava to appear below.
Lynda.com : Illustrator CS6 One-on-One: Mastery with Deke McClelland
Advanced | 6h 38m | 946 MB | Project Files 192 MB | Software used: Illustrator CS6
The fourth in a series by industry-pro Deke McClelland on the premiere graphics creation application, Adobe Illustrator, this course shows you how to become a more efficient, exact, and creative designer with the advanced tools in Illustrator. Maximize your productivity with tools such as Smart Guides to precisely align your artwork, symbols that help you reuse it, and pattern brushes that allow you to tile it across the screen. Plus, learn how to add special creative touches to designs with the Gradient Mesh feature, great for creating photorealistic airbrushing effects; the Liquify and Envelope tools; the layered transparency you can achieve with opacity masks; and 3D effects like live, editable 3D type.
The Tunneling Orb Experiment with Trapcode Mir with After Effect Project Files
Hello everyone! In this tutorial we’re going to show you how to create a really cool looking Orb animation in After Effects. We’re gonna use some great plugins such as Trapcode Mir to create a 3D looking animated cave scene and Trapcode Particular and Optical Flares to make this great looking animated Orb. So launch your After Effects and let’s dive in.
Requirements: After Effects Optical Flares, Trapcode Particular and Trapcode Mir
Estimated Completion Time: 20 min
How To Create A Time Freeze Force Field with After Effect Project
Today we’ll show how to create the look of someone being frozen in time by a force field. We start with the matchmove to set up our scene and move into how we accomplished the rock being thrown and freezing in place. We’ll cover how to create a realistic looking force field bubble using turbulence to make it look better. I hope you will learn some creative techniques and get some inspiration for your own videos.
Tutorial DetailsProgram: After Effects
Estimated Completion Time: 30m
After Effect Project - How To Make A Wiggling Cord From Particles
After Effect Project | Tutorial | PC | Mac |174 MB
This tutorial will walk through how I simulated a cord dragging behind a car. Through using Trapcode Particular with a wiggling emitter, we can create the illusion of a single cord moving. We’ll add shading, motion blur, and a shadow to add realism.
How To Get The Best From Your DSLR While Using Twixtor
Today we’ll take a look at how to get the best results from DSLR footage while using Twixtor. We’re going to talk about what you can do to ensure that you have good footage to work with and also how to work with “less than perfect” footage as well! For Premium members, we have a special discount code available in the project files at tutsplus.com. It’s only valid through March 26, 2012 at the Re:Vision Webstore so check it out now!
Create A Beautifully Organic Coral-Like Animation
In this tutorial I will be explaining step by step how to create this organic opener. We will dive into the complex world of particles with Trapcode Particular, go over the Aux System as well as the shading. Creating the movement of particles will be done with a special expression that will create a controllable hierarchy.