Digital-Tutors - Creative Development: Creating Hologram Effects for Video in Maya and After Effects
English | .flv | AVC 1280 x 720 15fps | AAC 44,1kHz stereo | 3h 29mn | 2.25 GB (With Project Files)
Genre : elearning
In this tutorial we will explore how to create interaction between our live action footage and CG environment. This course goes through the entire process in real time, of creating a shot in which the live action footage interacts with our CG scene. We start out by matchmoving our footage in PFTrack and take a look at how we can easily solve multiple matchmoves. Then, we combine them in Maya to be part of a visual effects sequence. We then take the solved camera into Maya where proxy geometry is created for the live action hand and prop turntable. Many other things are covered such as animating, lighting using final gather and HDRI, UV mapping, displacement mapping, and rendering out many render passes. We then jump over into After Effects where we will be compositing 17 different render passes to create the final result in a linear workflow.
Author: Chris Meyer | Duration: 2h 36m | Level: Beginner | Size: 766 MB
Genre: Video Training
Description: Video course of lectures on the production of the movie.
The total duration of about 18 hours.
Also present in the collection of additional materials - they lie in a separate folder.
Syd Field's Screenwriting Workshop
Syd Field's Screenwriting Workshop
Foundations of Video: The Art of Editing with Norman Hollyn
English | .MP4 | h264, yuv420p, 960x540, | 29.97 fps | aac, 48000 Hz, 159 kb/s | 2.33 GB
Level: Appropriate for all | elearning
One of the most integral parts of filmmaking happens after the camera stops rolling. In fact, the way that you edit your footage together is what tells—and sells—the story to your audience. Learn how to examine a script, review your material, and shape raw footage into a work of art in this course with longtime film and TV veteran Norman Hollyn.
Digital Tutors – Using Lights to Create Shadows for Animated Layers in After Effects
Run Time: 2h 44m | Author: Laura Smith | Required Software: After Effects CS6 | File Size: 840 MB
In this series of After Effects tutorials, we will discuss the steps we take to set up this winter scene; complete with lights, shadows, lens flares and many more realistic effects.
fxphd - DOP212: Scripted DSLR
We have done some great courses in recent times on using the new range of DSLR cameras in a variety of situations, but this term we want to focus on scripted based narrative drama and comedy. We have teamed up with legendary UK Writer and Director Doug Naylor (Red Dwarf co-creator) to produce an episodic comedy called "Over to Bill". Mike Seymour will be working closely with Director of Photography Ed Moore, to bring practical on-set tips to light. The entirely new and original story is filmed in and around London in the present day and captures the best of scripted DSLR approaches.
In the days of hand-drawn animation, a group of top Disney animators came together and defined twelve rules of animation that, when applied properly, would create amazing animation and an engaging experience for the audience. In 1981 Frank Thomas and Ollie Johnston released a book titled 'The Illusion of Life: Disney Animation', which detailed all 12 principles.
English | Working Files Included | Audio: aac, 44100 Hz, stereo (eng) | Video: h264, yuv420p, 1280x720, 30.00 fps(r) (eng) | 1.84 GB
After Effects is an amazing tool, able to create a camera flythrough effect so that your films look just like one made by the pros. But how do you get that polished look? This course, of course.
creativeLIVE - After Effects CC Fundamentals with Jeff Foster
English | 3 Day Workshop | AVC 854x480 30 fps | AAC 160 Kbps 44.1 KHz | 6.06 GB
Adobe After Effects CC is a hallmark broadcast video and film production program — but it has so many functions, it’s hard to know where to start. In this 3-day workshop, renowned video producer and Adobe Certified Expert Jeff Foster will walk you through how to use After Effects’ many functions to enhance your projects with visual effects and motion graphics.
Digital Tutors – Creating Interface Effects in 3ds Max and After Effects
Instructor: Jacques Pena | Runtime: 2h 53m | Level: Advanced | Video Format: FLV | 905 MB
Software used: 3ds Max 2011, Photoshop CS5, Illustrator CS5 and After Effects CS5
Using Particles and Animation to create Special FX. Using Particle Flow alongside some basic animation principals, we are going to put together a scene from concept to finish. Dabbling into the some special effects using pflow fundamentals, forces, and operator overview. Then, we will put together all the elements into a scene.
Digital Tutors - Animating and Compositing Futuristic Menus in After Effects
Instructor: Laura Smith | Runtime: 8h 18m | Level: Intermediate | Video Format: FLV | 6.79 GB
Software used: After Effects CS6
In this series of tutorials, we will learn how to animate and composite a futuristic menu interface with footage of an actor.
Digital-Tutors: Quick Start to After Effects: Volume 1-3
English | .mp4 | 1.7 GB/1.07 GB/ 1.9 GB | Author: Laura Smith
Required Software: After Effects CC v. 188.8.131.524
Welcome to the a Quick Start to After Effects. Quick Starts are a series of specially-constructed courses meant to be followed in sequence and include valuable exercises to reinforce learned concepts.
Digital-Tutors – Quick Start to After Effects: Volume 3
Beginner | 2h 29m | 1.94 GB | Project Files 648 MB | Software used: After Effects CC v. 184.108.40.2064
Welcome to Volume 3 of the Quick Start to After Effects, a series of specially constructed courses meant to be followed in sequence and interspersed with valuable exercises to reinforce learned concepts.
Digital-Tutors - Overcoming Tracking and Graphics Integration Issues in After Effects
Genre: eLearning | Level: Intermediate | Language: English
In this series of After Effects tutorials, we are going to learn all of the steps you need to integrate graphic particles into our snowboarding shot.
When you are doing a project like this, there are a couple of different workflows that are possible. If you shoot the footage yourself, then you have a lot more control over mapping what you want the particles to do.
Lighting for Film and Television
English | 3 Disc | H264 | 864x480 | 23.98fps 1129kbps | AAC 128kbps 48.0KHz | 3.39GB
Through detailed instruction, tongue-in-cheek sketch illustrations, and hands-on examples, we'll show you the fundamentals of cinematic lighting and how you can use light as a paintbrush to tell your stories like the pros, with just the right look, exposure - and feeling! With over four hours of detailed instruction
Tuts+ Premium - Shoot and Composite a Speed Walking Scene in After Effects by Stefan Surmabojov
English | 20 mins | AVC1 1280x720 30 fps | AAC 96 Kbps 44.1 KHz | 1.06 GB
Genre: eLearning | Level: Intermediate
Up and Running with CINEMA 4D Lite for After Effects | 4.66GB
Duration: 8h 32m | Video: AVC (.mp4) 960x540 25fps | Audio: AAC 48KHz 2ch
Genre: eLearning | Level: Beginner | Language: English
Intimidated by 3D modeling packages? Dip a toe in the water with CINEMA 4D (C4D) Lite, a slimmed down version of CINEMA 4D included with After Effects CC. Motion graphics designer Angie Taylor shows you how to build a complete sequence in C4D Lite, progressing from initial object modeling, to animation, lighting, camera rigging, texturing, and final render. Plus, learn to animate text, create random movement with wiggle expressions, track cameras in live-action footage to add new 3D elements, and light your scene. Angie also round-trips the project files to After Effects for visual effects and color correction. With over 100 videos, this course allows you to explore almost every aspect of 3D motion graphics creation, within this accessible introductory tool.
English | Working Files Included | Audio: aac, 44100 Hz, stereo (eng) | Video: h264, yuv420p, 1280x720, 30.00 fps(r) (eng) | 1.55 GB
It’s time to earn money with your creativity at film making. Companies have money and they would love to spend that for a good corporate film. You are about to learn the artistic and commercials aspects for creating a good corporate film. Starting from a well thought concept until getting payed well.