Stajn Pro was designed upon a main goal of using this typeface to set larger amount of text. The slightly condensed proportion allows for more content per page while large x height with its larger counters improves legibility and readability while used on smaller sizes. Despite the fact that Stajn Pro was designed as a body text Type Family, it works as well as a display too. Wide variety of weights as well as interesting, strong and at the same time beautiful character along with some stylistic alternate makes Stajn Pro a useful typeface in a field of editorial, magazine and promotional materials design. The Stajn Pro character includes some humanistic typeface characteristics, which add some softness and elegance in its strong and stable presence.
OTF | 14 Fonts | JPEG Preview | 4.7 Mb RAR
- Alright Sans is a contemporary sans-serif. Inspired by both grotesque and humanist models, it’s clean and prudent with a warm, friendly tone. Alright Sans is a modest design that doesn't feel at all stiff or bland. It has open apertures and roundabout economy that works exceptionally well across media and at reduced sizes. And with shorter-than-normal capitals and a tall x-height, it’s functional without becoming distracting, goofy, or unprofessional. Extra care was taken in creating the OpenType features in Alright Sans. Details were included to help make high-quality typesetting easier, such as case-sensitive punctuation and an optically-correct superscript. A stylistic set in the italics provides alternate two-story forms of the ‘a’ and ‘g’. Even the default numbers are the proportional width old-style forms for a more refined all-around text appearance. There are also lining figures for setting with caps and tabular-width versions for setting tables. Every style of Alright Sans also has a full set of built-in small caps, even the italics. There is also an expanded character set, supporting over a hundred languages. And with weights ranging from extra thin to ultra heavy, Alright Sans proves itself to be a versatile and useful family for a wide range of projects.
OTF | 16 Fonts | JPEG Preview | 2.8 Mb RAR
Design System is a great type system consisted of 5X7X2=70 font styles from 70s-style simple square sans to the widest style of all time that are best for titles, logo and text. Their simple form does not limit the target of design and can be used for any creative work. Additionally they all have been designed not to provide a feeling of strangeness when they are used in mixture each others.
OTF | 70 Fonts | JPEG Preview | 4.4 Mb RAR
In 1936 the German Standards committee Deutsches Institut Normung (DIN) officially proposed DIN 1451 as the standard type of lettering to be used in the field of road traffic. The purpose of this standard was to lay down a style of lettering which is timeless and easily legible. Unfortunately, these early letters lacked elegance and were not properly designed for typographic applications. Ever since, several type foundries adopted the original designs for digital photocomposition. By early 2000, it became apparent that the existing DIN-based fonts did not fulfill the ever-increasing demand of complex corporate projects for more weights and support for additional languages.
Parachute® was set out to fill this gap by introducing the DIN Text series which, ever since, has become the most comprehensive and sophisticated set of DIN typefaces. It was based on the original standards but was specifically designed to fit typographic requirements. Completed in 2002, it was first released in 2003 and published in the award-winning catalog IDEA as a group of 4 separate families (original, condensed, compressed and a special display version). All families include 15 weights each, opentype features (small caps, etc) and extended support for all European languages based on Latin, Cyrillic and Greek.
The DIN Text Pro series, has lowercase ascenders that are higher than the capitals, varying letter proportions and italics that are not a mechanically-obliqued version of the regular weights, but rather true-italics. Each weight consists of an average 1280 glyphs.
The letterforms divert from the stiff geometric structure of the original and introduce instead elements which are familiar, softer and easier to read. The other two superfamilies Condensed and Compressed share the same attributes as the original.
With its vast array of weights, the extended language support, but most of all its careful and detailed design it has proved valuable to numerous design agencies for their complex corporate projects. Additionally, every font in these superfamilies has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations. This is a set of very useful daily symbols for packaging, branding and advertising. Symbols for public areas, environment, transportation, computers, fabric care and urban life.
TTF | 14 Fonts | JPEG Preview | 7.9 Mb RAR
The Core Sans NR Family is a part of the Core Sans Series, such as Core Sans N, Core Sans N SC, Core Sans M, and Core Sans G. This family is the rounded version of Core Sans N family. Letters in the Core Sans NR Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans NR Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Superiors and Inferiors, Fractions, Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Tabular Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. We highly recommend it for use in books, web pages, screen displays, and so on.
OTF | 108 Fonts | JPEG Preview | 18.5 Mb RAR
Finkl Pro is a heavy bevel display face comprised of over 500 characters and glyphs, producing an extremely customizable font family. The industrial feel of Finkl lends itself to everything from apparel to technical implementations and signage. Inline, outline and shadow are included as well for even more customization options. Additional glyphs and ligatures are included in the font which can be activated as contextual alternates in OpenType.
OTF | 21 Fonts | JPEG Preview | 4.6 Mb RAR
Adria Grotesk is a superfriendly and sunny humanist typeface that comes in 7 carefully crafted weights and charming upright italics. You will find a fine choice of lining, tabular and old style figures, numerators, denominators, tabular figures, fractions, ligatures, some sweet symbols and even alternate arrows.
OTF | 14 Fonts | JPEG Preview | 12 Mb RAR
Encorpada classic brings the best features of the Didone genre, but with a 21st century look and feel. With smooth details Encorpada Classic is a elegant choice for your type library. The Encorpada family began in 2011 with the release of Encorpada Black. After that instant success, in 2012, dooType brought to us Encorpada PRO. Encorpada Classic retains the main look and feel of his predecessors, but is designed with more functional considerations. With 14 styles, Encorpada Classic is a fine choice.
OTF | 14 Fonts | JPEG Preview | 4.6 Mb RAR
Code Pro is a font family inspired by the original Sans Serif fonts like Avant Garde or Futura, but with a modern twist. It is clean, elegant and straight-to-the-point. Code font is applicable for any type of graphic design—web, print, motion graphics, etc.—and perfect for t-shirts and other items like posters and logos.
OTF | 10 Fonts | JPEG Preview | 5.8 Mb RAR