CamingoDos Pro is provided with tight shapes and elliptic roundings. With the aspect of legibility on mind these attributes were applied carefully. Along with a subtle contrast between thick and thin strokes CamingoDos has a strong, humanistic appearance. It comes in a wide range of seven weights from ExtraLight to Black which makes it perfectly suitable for editorial and corporate design. CamingoDos Pro is the updated and partially re-drawn version of the original Camingo type family. Some design decisions were reconsidered and about 150 glyphs were added to the character set. Package information: CamingoDos Pro is available in the OpenType format, contains about 900 glyphs and supports most latin based languages. It offers a rich set of expert typographic features like small caps, ligatures, stylistic alternates, different figure sets, arrows, fractions and ordinals.
OTF | 14 Fonts | JPEG Preview | 5.7 Mb RAR
The Aviano series returns with a flared semi-serif. Aviano Flare’s subtly curved forms lend refinement and luxurious elegance to your designs. Aviano’s foundational extended classical forms give the face strength and power. Aviano Flare is a versatile new addition to the Aviano titling series. Aviano Flare comes in six different weights and is packed with OpenType features. Want to get rid of the serifs for that logotype or headline? Need swash forms? Art Deco alternates? Aviano Flare includes 74 alternate characters. Two style sets are available, two sets of art deco inspired alternates, small forms, swash, titling and stylistic alternates. Aviano Flare also includes 40 discretionary ligatures for artistic typographic compositions. Please see the informative .pdf brochure to see these features in action.
OTF | 6 Fonts | JPEG Preview | 5.1 Mb RAR
25 EPS | + HQ JPEG Preview | 251 Mb RAR
The Effra font family has its roots in one of the earliest sans-serif designs commercially available, Caslon Junior, from 1816. Our design is updated for contemporary use, and has been expanded to our Standard character set. While it is not strictly a font intended for setting body copy, the resulting family does function well at text sizes. Effra can be effortlessly applied to a wide range of messages and media, from advertising to book design. Its five weights satisfy the need for flexibility, creating harmonious variations of texture and emphasis. Effra’s overriding design features are its clean lines and open proportions; its circular characters hint at a geometric basis and express modernity. Where traditional Grotesque features are expected, the font family surprises with soft and humanist design details. This, combined with Effra’s subtle spacing and abundant kern pairs, creates a very even texture. Effra is a truly unique design that stands out from the crowd, but has the ability to blend perfectly with other design elements, making it well-suited to magazine design, branding, and corporate identities.
TTF | 10 Fonts | JPEG Preview | 4 Mb RAR
This is a complex typographic system which includes three different but complementary styles so far: Slab, italic and script, with nine weights each one; plus three sets of ornamental fonts: labels, negative labels and ornaments. The soul of the family is a slab feeling applied judiciously to the italic and script styles to make it coherent with the whole system.
Each style has three sets of figures: Proportional lining, tabular lining and old style. You can mix the three styles in a single piece to obtain more expressive results without worring about the uniformity and complementing the design by using the ornamental sets.
OTF | 30 Fonts | JPEG Preview | 12 Mb RAR
Novecento Slab is the “slab serif” companion of Novecento Sans, a font family inspired on european typographic tendencies between the second half of 19th century and first half of the 20th.
This font face is designed to be used mostly for headlines, visual identities or short sentences, both in big and small sizes. Novecento Slab family comes in 32 styles, speaks 76 latin based languages, has 590 glyphs and 16 stylistic opentype features for advanced typography.
OTF | 32 Fonts | JPEG Preview | 7.8 Mb RAR
Minuscule was inspired by Émile Javal’s research into the physiology of reading. He was a 19th-century opthalmologist, the first to analyze how we read. Minuscule characteristics are large x-height, robust slab serifs, vertical stress, open structure, big counters, low contrast.
Minuscule is a typeface for extremely small sizes, and can be used under the commonly acknowledged threshold of legibility (around 7 points). At this stage, the loss is so important during the shift to a lower size that I quickly decided to design a master for each size. Five versions have been developed, optimized for a use in 6 (Minuscule Six), 5 (Minuscule Cinq), 4 (Minuscule Quatre), 3 (Minuscule Trois) and 2 pts (Minuscule Deux).
Minuscule received the Certificate of Excellence in Type Design from the Type Directors Club New York, in the TDC2 2005 Type Design Competition (category Text).
OTF | 10 Fonts | JPEG Preview | 6.2 Mb RAR
Evergreen is Koziupa and Paul going all Zeitgeist after a few Malbec drinks. Two fonts praise nature from when the lights go out to the crack of dawn, and vice versa. That’s 24/7/365 of wild leafy Kumbaya. Even butterflies and flowers were mystified so much they had to get in there.
Evergreen is local, organic, and certified free trade. At some point we wrote down the name of the jungle where it originated, then lost the parchment in the hot springs a few hours later. But that’s immaterial. Crank up your Deep Forest sound, prep your Earthtone and Foliage palettes, and get into the big herbal.
OTF | 3 Fonts | JPEG Preview | 8.9 Mb RAR